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The only way to get around is rickety old rowboats, which you’ll somehow have to steer around the monstrous creatures both on the shore and in the river. In the Volga section, for example, Artyom and Anna depart the Aurora after hitting a roadblock on their way to Mount Yamantau. Having the story of “Metro Exodus” take place over a year provides a lot of variation in environments, both structurally and weather-wise.
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Sometimes, it’s about knowing when to avoid a fight or having the patience to approach a situation stealthily rather than going in guns blazing, which makes the “Metro” series different from many other shooters on the market.
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Ammo and medicine are as scarce as ever, so you can’t just run and gun your way through hordes of mutants or electricity-shunning cults. However, players won’t get much of that story in the open-world segments of the game, which are more about showcasing life on the surface and forcing the player to use limited supplies, careful strategy, and tactical crafting to stay alive. The move out of the tunnels is significant because, as Glukhovsky told Variety, Artyom’s “biggest dream ever was for humanity to return to the surface, to repossess it, re-explore it, and repopulate it.” Glukhovsky also served as a writer on all three “Metro” games, working with the developers at 4A Games to flesh out the story and bring the characters to life.Īccording to Glukhovsky, “Metro Exodus” marks a shift in narrative, going from a story about saving humanity to a “much more personal, much more dramatic” plotline about Artyom’s relationship with his wife and father-in-law, “solving some very important personal issues and personal conflicts.” Much of the story takes place aboard the Aurora, a train heading east, where Artyom, his wife Anna, and their small team of survivors journey on in hopes of finding sanctuary.